History’s Shadow Marks The Beginning at Grove Collective

Grove Collective is pleased to present the upcoming three-artist exhibition History’s Shadow Marks the Beginning, featuring UK-based artists Conor Murgatroyd, Mitch Vowles, and Alfie White, on view at Grove Collective’s Battersea space, as well as online in virtual reality through the Grove Collective website. This is the first time that these artists have exhibited together, and marks the first time that Grove Collective has worked with any of these artists.

Grove Collective,History’s Shadow Marks The Beginning, Group Exhibition, June 2021

The roots of this exhibition lie deep within the ineffable; linkages across theme and tone draw together the practices of Murgatroyd, Vowles, and White, but the nature of those bonds can be difficult to parse. So varied are the artists’ practices that any claim to similarity on a purely visual basis crumbles almost out of hand. Likewise, generalised biographical commonalities belie much stronger contextual disparities; for each artist, the conditions of production prove radically different. However, something still lingers below the surface. The viewer can still note that which is difficult to name but easy to feel, melding the universal and personal to create something that is both familiar and radical.
Therein lies perhaps the clearest connection between the artists’ work: While Murgatroyd, Vowles, and White together have practices steeped in the art historical, they all diverge notably from said canons, injecting otherwise staid approaches with their own personal identity and flair.

Grove Collective, History’s Shadow Marks The Beginning, Group Exhibition, June 2021

Conor Murgatroyd’s penchant for still lifes and typically British iconography is offset by an influx of highly contemporary and personal references, while Mitch Vowles works from traditions of readymade sculpture and video stemming from the early twentieth century and the late 1980s respectively, only to intertwine them with a deep connection to his personal history. Furthermore, Alfie White brings a youthful, sensitive, and reflective eye to a humanist street photography tradition beginning with the work of Henri Cartier-Bresson, inflecting his hand-printed black and white photography with an energy native to South London. Together, they indisputably bring something new and vibrant to what has come before them, while paying homage to that same history on a trailblazer path of their own.

In turn, History’s Shadow Marks the Beginning extends upon the range of practices that Grove Collective has engaged, including photography in the gallery for the first time. Additionally, this turn towards the personal and past expands the scope of themes the gallery has considered. Having previously focused on the body alongside largely abstract compositions, this show marks a clear step towards a more figurative and historically-minded approach; an approach Co-Directors Jacob Barnes and Morgane Wagner will look to expand upon in the coming years.

Grove Collective | 10.06.21 – 22.06.21|London SW11 3RA

Grove Collective,History’s Shadow Marks The Beginning, Group Exhibition, June 2021

Conor Murgatroyd (b. Bradford, UK, lives in London, UK) studied Fine art at Chelsea College of Arts in London and received Knights of the Table award in 2017. His practice is engaging and beguiling at the same time. He has an obsession with history which has a great influence on his work; understanding the past allows him to make sense of the tangled web of influences, events and emotions that make up the existential human experience.

Conor Murgatroyd, History’s Shadow Marks The Beginning, 2021, Enamel on Canvas, 150 x 120 cm

Mitch Vowles’ (b. London, UK, lives in Essex, UK) work centres around the cultural context of objects. In questioning the status of these objects and exploring their implied associations and settings, his work develops a dialogue that reflects upon nostalgia, British identity, masculinity and classism. Recent awards include: Space Studio Award 2021, The Royal Society of Sculptors Gilbert Bayes Award 2020 and Acme’s Jonathan Harvey Prize 2018/19.

Mitch Vowles, DIBNAH IN LIGHTS, 2021, Snooker Table, Fairground Cabochon, 109 x 158 x 12 cm

Alfie White’s (b. and lives in London, UK) work explores the nuances of everyday life, focusing on moments of emotion and human intimacy which he finds meaningful. Alfie works on predominantly 35mm Black & White film which he develops, prints, and scans from in his bedroom/makeshift-darkroom.
Grove Collective was founded in late 2020 by Morgane Wagner and Jacob Barnes. The gallery works to exhibit exciting work from around the world, making art from a diverse range of practitioners available to an equally diverse collector base.

Alfie White, BURGESS PARK, 2021, Silver Gelatin Print on Paper; Hand Printed by Artist, 34 x 44 cm (Framed)

All images courtesy of the gallery

Photos by Ollo Weguelin

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