Irfan Ajvazi
Artwork’s Title: Self-Portrait
Can you tell us about the process of making your work?
I usually begin by taking in the world around me—ordinary moments, people, and objects spark my inspiration. I start with quick, unrefined sketches to capture the raw essence of what I see and feel. From there, I build each piece in layers, letting colors and forms take shape gradually.
How would you define your work in a few words (ideally in 3 words)?
Personal, Insightful, Lively.
Could you share with us some insights on your painting ‘self-portrait’, (2024)? Is there any particular story behind this new work?
This work delves into two contrasting facets of self-perception. One side embraces abstraction, conveying the swirling complexities of inner thoughts and emotions, while the other takes a more literal approach, highlighting external features and physical reality. Together, they bring forward the tension between how we perceive ourselves internally and the image we project outward. It’s a study in vulnerability, capturing both the comfort and discomfort that arise in moments of introspection.
Visually there is a sort of a painterly concentration on ‘everyday’ depictions which seem to be a distinguished creative motif on your recent works. It looks like that you are very keen on figuration. Is it like a current painting series that you aim to concentrate on this period or more abstract images and motifs interest you as well?
Right now, I’m drawn to figuration and everyday scenes because they carry a sense of both universality and intimacy. The simplicity of daily life holds a quiet power that resonates deeply with me. That said, I’m also intrigued by abstraction; it offers a freedom that I occasionally weave into my work through color and brushwork, even when the subject is still recognizable. This series is part of a continuing exploration, and it may gradually shift toward more abstract forms over time.
Watercolours and crayons are mainly your leading medium for creating your art; what’s fascinating about these two medium?
Watercolors offer a gentle transparency that enables me to capture light and shadow in a distinct, layered way, while crayons give me the freedom to create bold lines and textured surfaces. I enjoy how these two mediums work together, blending soft washes with vivid, tactile details. Each brings its own energy, letting me find a balance between precision and spontaneity in my work.
Do specific artworks have been created by random experiments in your studio or do you usually come up with a particular concept or narrative in the very beginning of your artistic process?
It’s a blend of approaches. Sometimes I start with a specific idea or emotion I’m eager to express, but other times I simply let the materials lead, playing with marks and colors. I love the unexpected results that can arise from this freeform exploration. Even when I begin with a set concept, the piece often changes as I work, bringing a constant sense of discovery.
What would be the best way to exhibit your work?
I envision my work in a cozy, well-lit space where viewers can come close to appreciate the layers and textures. A quiet setting would encourage them to connect with the subtle details in each piece. Displaying some works on walls and others in open frames or on small plinths would create a dynamic engaging experience for the audience.
Can you mention any artists you, lately or generally, take inspiration from?
I find inspiration in artists such as Lucian Freud, whose raw and sincere portrayal of subjects deeply resonates with me, and David Hockney, whose masterful use of color and everyday scenes continue to influence my work. Lately, Alice Neel’s emotive brushstrokes and her deep empathy toward her subjects have also been a significant source of inspiration.
Which are your plans for the near future?
I’m currently developing a series that delves deeper into themes of identity and domestic spaces, possibly incorporating more narrative elements. I’m also excited to experiment with larger canvases and new materials to push my artistic boundaries. As for exhibitions, I’m planning a solo physical show next year that will feature my latest works alongside interactive components.
all images courtey of the artist